VISIT KANAZAWA, JAPAN - Official Travel Guide

Discover the Essence of Kanazawa Through Its Master Artisans and Professionals

“Kanazawa Ichigo Ichie” is a special program that allows participants to directly immerse themselves in the authentic craft culture preserved in Kanazawa. Rather than simply viewing the finished works, participants will have the opportunity to visit and engage with artists and experts in their respective fields. In addition to receiving personal commentary from traditional craft artists and leading specialists whom one would rarely have the chance to meet, the program offers exclusive access to workshops normally closed to the public, as well as privately held collections and works not ordinarily on display.

About applications

- Applications for this program are accepted only through travel agencies based in Japan. If you do not have a DMC partner in Japan, we can refer you to a DMC in Kanazawa, so please feel free to contact us.

- Applications can be made up to 6 months in advance of your guests’ preferred date of visit. Please apply early to allow time for scheduling with the artists and professionals. We may not be able to accommodate requests for dates that are too close.

- Due to the size of each studio, all programs are limited to small groups. Please note that if the number of participants exceeds the stated capacity, additional fees may apply or we may not be able to accommodate your request.

- Please ensure that your group can attend (as the artists and professionals have set aside valuable time specifically for your guests’ visit). If the feasibility of the program is uncertain, we may decline your application.

- We kindly ask that all programs be held on weekdays between 10AM and 5PM. If you would like to request another date or time, please let us know at the time of application.

Important notes

- Please refrain from contacting the artists and other professionals in this program directly.

- If you wish to arrange a preliminary visit prior to the program date, please be sure to indicate your preferred date and time when you apply. Depending on the nature of the visit, additional fees may be incurred separately from the program fee.

History and Characteristics of Ohi Ware

The origins of Ohi Ware begin around 360 years ago, when the fifth-generation daimyo of the Kaga Domain, Maeda Tsunanori, invited Tea Master Senso (Senso Soshitsu), the founder of the Urasenke School of Tea, to Kanazawa to promote the art of Tea Ceremony. Accompanying the Tea Master was the first Ohi Chozaemon, who was the leading disciple of Raku Ichinyu (fourth-generation head of the Raku ware family).

Since then, 11 generations of Chozaemon artisans have created unique utensils for tea ceremonies including tea bowls, water jars, and confectionary vessels. A defining feature of Ohi ware is its inimitable amber glaze and its distinctive texture. Based on the Zen concept of "wabi-sabi", nearly all works are crafted by hand without the use of a potter's wheel, so they fit naturally and comfortably in the user’s hands and against the lips.

Artist: OHI Chozaemon XI (Toshio)

Born in Kanazawa as the eldest son of Ohi Chozaemon X (a Recipient of the Order of Culture, a Person of Cultural Merit, and a Member of the Japan Art Academy), whose family has preserved the Ohi kiln and its art in Kanazawa for more than 360 years. Traditional and modernity converge in a hybrid vision, the works of Ohi Chozaemon XI have been exhibited extensively throughout Japan and internationally. His works are held in the collections of numerous museums, including the British Museum (United Kingdom), the Los Angeles County Museum of Art (United States), and the Rockefeller family collection, as well as diplomatic missions and cultural institutions around the world.

In recent years, he has been invited by the Ministry of Foreign Affairs of Japan to undertake cultural missions in the United States and Brazil, and by the Ministry of Foreign Affairs and Trade of Hungary to present exhibitions and lectures in Budapest and Pécs. His solo exhibitions, workshops, and lectures at institutions including the Wiener Porzellanmanufaktur Augarten have received international acclaim. For his longstanding contributions to the global promotion of Japanese culture, he received the Foreign Minister’s Commendation in 2024. He was subsequently honored with the Imperial Prize and Japan Art Academy Award and was elected a Member of the Japan Art Academy in 2025.

OHI Chozaemon XI currently serves as a member of the International Academy of Ceramics (IAC). His positions include Visiting Professor at the Rochester Institute of Technology, Shanghai Academy of Fine Arts, Tainan National University of the Arts (Taiwan), and Kanazawa University, as well as Part-Time Lecturer at Tokyo University of the Arts and Instructor at the Kanazawa Utatsuyama Kogei Kobo.

He also serves as International Advisor to the Shanghai Art Collection Museum, Special Member of Nitten (the Japan Fine Arts Exhibition), and Executive Director of the Japan Contemporary Arts and Crafts Association. In addition, he is a member of the G1 Summit, the Engine 01 Cultural Strategy Conference.

His public and cultural appointments include Secretary for the Japan Cultural Design Forum, Tourism Ambassador for Ishikawa Prefecture and Senior Instructor of the Urasenke School of Tea. He has also been awarded the title of Sommelier d'Honneur (Honorary Sommelier).

Program Highlights:

Gallery Talks at the Ohi Museum

The Ohi Museum offers a comprehensive view of Ohi Ware, from the first generation to the present-day Ohi Chozaemon XI, alongside tea utensils closely associated with the Kaga Domain. The museum holds the distinction of being awarded one star by the Michelin Green Guide Japan - a rare honor for a private museum. Ohi Chozaemon XI himself will share insights into the history of Ohi Ware and the vibrant tea culture of Kanazawa.

Tea Ceremony in the Ohi Tea Room *Optional Activity (additional charge)

Following a tour of the museum, guests will have the opportunity to participate in a tea ceremony overlooking an authentic Japanese garden, using Ohi tea bowls that have been passed down through generations. This special ceremony, hosted by the Ohi family, offers a rare and intimate glimpse into the traditions of Japanese tea culture.

- Maximum capacity: Up to 20 people

- Language: The tour and explanation will be given by Ohi Chozaemon XI himself, available in either English or Japanese.

- Shopping: 

•Credit cards accepted

•Available for duty-free purchase

•International shipping available (postage will be charged separately)

History and characteristics of Kaga Yuzen

Kimono is a traditional Japanese ethnic costume. In Kanazawa, a city rich with cultural activities such as tea ceremony, Noh plays, and traditional dance, people wear kimonos quite often. There are different types of kimonos for different places and occasions, and Kaga Yuzen kimonos in particular are worn when attending a wedding, party, or other high-class events. Kaga Yuzen has an extensive history, and it is thought that its origins date back about 550 years to a dyeing technique called “ume-zome.” Main motifs of Kaga Yuzen are the beauties of nature in each season and designs that are skillfully and vibrantly drawn using a variety of techniques. 

Kaga Yuzen has about 15 steps from design to finishing. At Kaga Yuzen Maida studio, they perform all steps of the process in their own studio to express designs that reflect the times with high-quality dyeing.

Artists:

Kenji MAIDA

After graduating from the Japanese Painting Course at Kanazawa College of Art in 1964, Kenji Maida began studying Kaga Yuzen silk dyeing under his father, Jinro Maida. In 1975, his work was selected for exhibition at the Japan Traditional Kogei Exhibition for the first time, and in 1978, he received the Commissioner for Cultural Affairs Award at the Japan Traditional Textile Arts Exhibition. Deeply attentive to the 400-year history of Kaga Yuzen, he preserves traditional techniques while remaining sensitive to changing times, shifting sensibilities and evolving aesthetic tastes. His work continually seeks a new fusion between kimono and modern culture.

Hitoshi MAIDA

Born in Kanazawa in 1974, he began training under his father, Kenji Maida, in 1998. His kimono designs meld geometric patterns with the natural beauty of Kaga Yuzen, while his own resist dyeing techniques are blended with traditional Yuzen methods. Beyond kimono, he also applies Kaga Yuzen techniques and designs to fashion, interior design, packaging and other creative fields.

Program Highlights:

Commentary on Kaga Yuzen's process and technique

In this exclusive program, guests will visit the private studio of Kaga Yuzen artist Hitoshi Maida, which is ordinarily closed to the public. Through examples and demonstrations, he will share insights into the history, techniques, and intricate 15-step process of Kaga Yuzen. Guests will then observe his masterful craftsmanship at close range as he demonstrates key stages of production, including design transfer, paste application, and hand coloring.

Private Viewing of Kaga Yuzen and Shopping

The Gallery Shop on the 1st floor offers a selection of Kaga Yuzen pieces – from scarves and dyed framed artworks to delicate art objects.

Upstairs, the Private Gallery – usually reserved for a select clientele – presents an exclusive encounter with “Glass Yuzen”, where Kaga Yuzen merges with glass and light, revealing the distinctive aesthetic of Kaga Yuzen Maida Studio. All works on display are available for purchase, with worldwide shipping to the Americas and Europe. Custom commissions are also warmly welcomed.

Kaga Yuzen silk dyeing workshop *Optional activity (additional charge) 

After viewing a selection of completed samples, guests may choose their preferred design for a Kaga Yuzen furoshiki (traditional wrapping cloth). Using a variety of brushes, they will apply their chosen colors to a silk cloth on which the design has already been outlined. As resist paste has been carefully applied along the pattern lines in advance, guests can enjoy coloring within the designated areas while experiencing an authentic step of the Kaga Yuzen process.

The finished furoshiki will be completed by artisans at the studio, personalized with the guest's name, and presented in an elegant paulownia wood box. It can then be shipped to a designated address in Japan or internationally. (postage will be charged separately)

- Maximum capacity: Up to 10 people

- Language: This program is conducted in Japanese only. Please arrange interpretation services separately.

- Shopping: 

Available at a gallery shop or private gallery adjoining the studio

•Credit Cards accepted

•Not available for duty-free purchase

•Available for international shipping (postage will be charged separately)

History and Characteristics of Kanazawa Lacquerware  and Kaga Maki-e

Kanazawa Lacquerware is characterized by its delicate and unique balance of bold beauty, rich decorative expression, and refined elegance. Both the lacquering and maki-e work are executed with the utmost precision, and no other lacquer tradition employs gold and precious materials so lavishly. Originating in the furnishings of the Maeda clan, its wares – including tea ceremony utensils - became renowned for their exceptionally high artistic value, with a strong emphasis on one-of-a-kind creation.

The successive lords of the Maeda clan also devoted attention to the creation of saddles and armor, as well as furnishings such as writing stands and inkstone cases. The finest artisans of the time were invited to Kanazawa from Kyoto and Edo (modern-day Tokyo), fostering the development of maki-e techniques that harmonize opulent splendor with refined elegance.

Artist: Shoitsu NISHIMURA

Born into the family of Shoitsu Nishimura I and II in Kanazawa,  he studied under Shogyo Oba, a Living National Treasure of Japan. Drawing inspiration from Japanese literary classics such as The Tale of the Bamboo Cutter, The Tale of the Heike, The Tale of Genji, and the Kojiki, Nishimura has developed a distinctive artistic style that pursues both tranquility and new forms of expression. Throughout his career, he has held solo exhibitions in Japan and around the globe. He also served as Chairman of the Kanazawa Lacquerware Association.

Program Highlights: 

Explore the Significance of Craft in Kanazawa Daily Life

Enjoy viewing masterpieces of maki-e in the artist’s traditional tatami reception room, while learning about the broader world of Japanese craft culture. From the role of lacquer in everyday life to the art of spatial design, the artist himself will offer a comprehensive introduction to the beauty and depth of Japanese craftsmanship.

Discover Kanazawa Lacquerware and Kaga Maki-e with the Artist

The creation of a lacquer masterpiece begins with the making of the tools themselves. In the intimate workshop on the second floor of the residence, guests will have the rare opportunity to observe masterful techniques and valuable, hard-to-produce tools up close, accompanied by the artist's own insightful commentary.

- Maximum capacity: Around 1-5 people

- Language: This program is conducted in Japanese only. If necessary, please arrange your own interpretation service.

- Shopping: Available

•Credit Cards accepted

•Not available for duty-free purchase

•Not available for international shipping

History and characteristics of Kaga embroidery

Kaga Embroidery, also known as Kaga-nui, is produced in the Kaga region of Ishikawa Prefecture, including Kanazawa. It is characterized by intricate patterns and a beauty that is both dazzling and modest. Advanced techniques - such as “nikuire-nui”, in which threads are layered to create a three-dimensional effect, and “bokashi-nui”, in which silk colors are blended in soft gradations – are employed to bring each design to life. The motifs are first traced onto the fabric and then embroidered, resulting in works that emerge with a unique atmosphere all their own. 

In recent years, Kaga Embroidery has been featured not only on high-end kimono fabrics, but also on decorative items such as framed artworks and tapestries, further highlighting its artistic beauty.

Artist: Hitomi MIYAKOSHI

HITOMI MIYAKOSHI Embroidery Studio was established in 2004. In 2007, Hitomi Miyakoshi was certified as a Traditional Craftsperson of Kaga Embroidery. From 2010 to 2012, she studied under Fukuda Kijū, a holder of Important Intangible Cultural Property (Living National Treasure) designation for embroidery. Inspired by the subtle impressions of light, wind, and other sensory experiences, she creates works that reflect the emotions and moments that resonate deeply within her.

She is an Associate Member of the Japan Kogei Association, a part-time lecturer at Joshibi University of Art and Design and Kanazawa College of Art, a member of the Kanazawa City Association of Dyeing and Weaving Artists, and a member of the Ishikawa Kaga Embroidery Cooperative.

Program Highlights: 

Discover Kaga Embroidery and Artwork Viewing with the Artist

Kaga Embroidery is a traditional craft comprising approximately eight stages, from draft to finish, all completed entirely by hand. At the artist’s home workshop, guests can view exquisite samples of Kaga Embroidery, observe the artist’s masterful techniques up close, and enjoy a live demonstration with a detailed explanation of the embroidery process. Guests may also browse and purchase handcrafted items, such as fukusa (tea ceremony cloths) and other small accessories.

Kaga Embroidery Workshop *Optional Activity (additional charge)

Guests will have the opportunity to experience this traditional craft by creating an embroidered greeting card. After selecting a favorite design and thread from sample pieces, participants will embroider the pattern onto pre-drawn fabric, carefully stitching each detail by hand. The remaining embroidery will be completed by workshop staff, and the finished piece will be shipped to the participant at a later date. As this activity involves the use of needles and scissors, participants must be in the upper grades of elementary school or older.

- Maximum capacity: Up to 5 people

- Language: This program is conducted in Japanese only. If necessary, please arrange your own interpretation service.

- Shopping: Available

•Credit Cards accepted (PayPal)

•Not available for duty-free purchase

•International shipping available (postage will be  charged separately)

*Also available for purchase at Kanazawa Craft Hirosaka and The Traditional Art & Craft of Ishikawa

Exclusive Lacquerware Viewing at the Residence of the Owner of the Renowned Lacquerware Store “Nosaku”

Located in the heart of Kanazawa near Kenrokuen Garden, this historic lacquerware shop traces its origins back to 1780, when its founder first started his business by supplying lacquer to artisans who created ornaments for Buddhist altars.

Today, under the eighth-generation proprietor, the shop continues its long tradition of introducing lacquerware and other aspects of Japanese culture - including the tea ceremony and the art of Noh - to the rest of the world.

History and Characteristics of Kanazawa Lacquerware

The history of Kanazawa Lacquerware begins around 1630, when the 3rd-generation daimyo of the Kaga Domain, Toshitsune Maeda, focused his efforts on the promotion of artistic handicrafts. Kanazawa Lacquerware is primarily centered on custom-made items, such as interior furnishings and tea ceremony utensils.The production process of lacquerware consists of four stages.  Of these, the final stage - “kashoku" (maki-e) - distinctly embodies the defining character of Kanazawa Lacquerware. Few places in Japan employ such advanced techniques to create decorative effects so delicate and magnificent.  

The ornamentation, known as Kaga Maki-e, involves painting with lacquer and applying gold and silver powders, and is considered to possess the value of fine art. Kanazawa Lacquerware, meticulously fashioned in pursuit of the quintessentially Japanese aesthetic of “wabi-sabi,” stands as a luxurious and refined craft.

Reference: “Kanazawa Traditional Arts & Crafts”

Program Highlights:

Private Collection Viewing

At the proprietor’s residence, guests will have the rare opportunity to view an exceptional private collection of Kanazawa Lacquerware furnishings dating from the Edo period onward.

Artisan Demonstration *Optional Activity

Step into the workshop nestled in the proprietor’s garden and observe a maki-e artisan at work. Guests will have the opportunity to witness the exquisite techniques and craftsmanship up close.

Tea Ceremony Experience *Optional Activity (additional charge)

Matcha will be served in the authentic Japanese tea room situated in the proprietor’s garden, where guests can enjoy a quiet moment of serene tranquility. Table seating is also available.

Shopping at “Nosaku” (15-min by car from proprietor’s residence) *Optional Activity

Located in central Kanazawa, about 15 minutes from the residence, Nosaku offers not only traditional furnishings, but also a wide selection of cups, cutlery, trays, small boxes, and other lacquerware items. The proprietor himself will accompany alongside and provide a personal tour at the store.

1-1-60 Hirosaka Kanazawa Ishikawa

https://maps.app.goo.gl/QmAaAu4tumtZWQct9

Maki-e Workshop *Optional Activity (additional charge)

Experience the art of maki-e through a hands-on workshop. Participants will have the opportunity to apply color to a tray with a pre-drawn design, and sprinkle gold powder and other decorative materials to create their own masterpiece.

Workshop duration: approximately 90 minutes.

- Maximum capacity: Up to 8 people

- Language: This program is conducted in Japanese only. If necessary, please arrange your own interpretation service.

- Shopping: Available at Nosaku store

•Credit Cards accepted 

•Available for duty-free purchase

•International shipping available (postage will be charged separately)

Sugita’s Lacquer Work and the Wajima Tradition

Inheriting the techniques of Wajima Lacquerware, Sugita’s work is defined by meticulous craftsmanship and elegant forms designed to harmonize with modern living. The wooden bases are entirely of his own making. A cloth is applied to the base using lacquer – a technique known as "nunokise" - and the base lacquer is blended with powdered diatomaceous earth from the Noto Peninsula. This unique combination yields a remarkably resilient coating. The process of lacquering, drying, and polishing is repeated 12 to 13 times to achieve exceptional durability.

Sugita’s works are distinguished by a signature matte, understated sheen and a texture that subtly retain traces of polishing - expanding the traditional perception of lacquerware and opening new possibilities for its application.

Artist: Akihiko SUGITA

Born in Tokyo, Sugita was first an apprentice at a handmade soba noodle restaurant before moving to Wajima, Ishikawa Prefecture, in 2007, where he studied under renowned lacquer artist Akito Akagi. 

He became independent in 2013 and relocated his studio to Kanazawa in 2014.

Inspired by the texture and character that antique objects acquire over time, he creates works that reflect his distinctive artistic sensibility. In recent years, he has ventured into two-dimensional works in lacquer and developed innovative techniques that produce lacquerware with an iron-like finish.

Selected Exhibitions

- Alain Ducasse’s Restaurant “Le Jules Verne” in the Eiffel Tower, Paris

- Aman Resorts, New York

- Aman Resorts, Kyoto　　

- OGATA Paris

- The Tawaraya, Kyoto

- guntû　and more

Program Highlights: 

Workshop Visit and Artist Talk at a Historic Samurai Residence

Set within a traditional samurai residence dating back to the late Edo period, guests will have the opportunity to view the artist’s lacquer works while learning about the unique qualities of lacquer and how it relates to contemporary living from the artist himself. The residence features a beautifully maintained "kyokusui” (meandering stream) garden, supplied by a diverted waterway. As only a few of such gardens remain in Kanazawa today, it offers a rare glimpse into the changing beauty of the seasons in a historic setting.

Lacquer Technique Demonstration and Shopping

Alongside a detailed explanation of the step-by-step process behind each finished piece, guests will have the opportunity to observe the artist’s refined techniques up close, gaining a deeper appreciation for the craftsmanship involved. Following the demonstration, guests are welcome to purchase any items that capture their heart.

- Maximum capacity: Up to 10 people

- Language: This program is conducted in Japanese only. If necessary, please arrange your own interpretation service.

- Shopping: Available

•Credit Cards accepted

•Not available for duty-free purchase

•International shipping available  (postage will be charged separately)

History and Characteristics of Kutani Ware

Kutani Ware is a type of porcelain that originated in the early Edo period and developed under the patronage of the Kaga Domain. It continues to be produced in the southern region of Ishikawa Prefecture and is highly acclaimed both in Japan and abroad as a fine artistic craft. 

Through the overglaze painting technique known as “uwa-e-tsuke”, traditional Japanese pigments are applied onto once-fired porcelain, and the piece is then refired. This process gives rise to the rich, beautiful colors and the bold yet elegant patterns that are distinctive of Kutani Ware.

Artist: Shinya KANBATA

Born in Kanazawa, Kanbata creates works that preserve the traditional techniques of Kutani ware while expressing a unique artistic vision shaped by Western imagery and aesthetics.

The circular motifs frequently found in his works were inspired by the rose windows he encountered at Notre-Dame Cathedral in France. His use of a distinctive reddish-brown pigment known as “Ebi-cha" adds richness and depth to his intricate designs.

Kanbata also serves as a part-time lecturer at Department of Art (Ceramics) of Kinjo College, helping to train the next generation of artists.

Program Highlights: 

From Form to Decoration: A Studio Demonstration

All stages of production take place within the studios featured in this program. The artist will provide direct commentary on the creative challenges and joys of achieving the desired colors, as well as the tools and techniques behind the intricate patterns that define his works. A live wheel-throwing demonstration will also be offered on the day.

Tea with the Artist: A Commentary on the Works

Tea prepared by the artist will be served in tea bowls crafted by fellow artists with whom he shares a creative connection. Enjoy the tea while listening to the artist’s insights into the works. (The timing of tea service may vary depending on the group size.)

- Maximum Capacity: Up to 3-4 people

- Language: This program is conducted in Japanese only. If necessary, please arrange your own interpretation service.

- Shopping: Available at Kuromon Koji on the 1st floor of Kanazawa M’ZA (Kutani Ware section)

https://visitkanazawa.jp/en/restaurants/detail_50024.html